INTERFERENCE CONFERENCE AND EXHIBITION

INTERFERENCE CONFERENCE AND EXHIBITION

My and Lasses Scherffig's FM radio installation Signal to Noise was shown during interference.io in the garden of De Binnenpret, Amsterdam. ›› Exhibition/conference: August 15th-17th, 2014 ›› Interference program About Interference Interference, n: preventing (a process or activity) from continuing or being carried out properly. the combination of two or more electromagnetic waveforms to form a resultant wave in which the displacement is either reinforced or...

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SILICON BASED CAPACITIVE SENSOR

SILICON BASED CAPACITIVE SENSOR

  In July 26- August 2, 2014 I took part, like in 2013, to the E-Textiles Summer Camp organised by Hannah Perner-Wilson and Mika Satomi at Paillard Cultural Centre. One of the workshops I took part in was the 3 D printing where Lucie Viry introduce us to the use of silicon for sensors development. I also tried my hand on for a capacitive D.I.Y. sensor. Here is the result. [ngg src="galleries" ids="28" display="basic_thumbnail" override_thumbnail_settings="1" thumbnail_width="400"...

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E-TEXTILE CUVEE 2014 EXHIBITION

E-TEXTILE CUVEE 2014 EXHIBITION

  In 2014 I took part for the second time to the E-Textiles Summer Camp, organised at Paillard Centre d’Art Contemporain & Résidence d’Artistes in Poncé sur le Loir, France by Hannah Perner-Wilson and Mika Satomi. Irene Posch and Anja Hertenberger were the curator of the eTextile Cuvee Exhibition where I presented one version of my Hedgehog Fabric. [ngg src="galleries" ids="29" display="basic_thumbnail" override_thumbnail_settings="1" thumbnail_width="400" thumbnail_height="300"...

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DESIGN OR NOT DESIGN: ON OPEN DIGITAL PRODUCTION AND ITS CONTEXTS

DESIGN OR NOT DESIGN: ON OPEN DIGITAL PRODUCTION AND ITS CONTEXTS

DESIGN OR NOT DESIGN: ON OPEN DIGITAL PRODUCTION AND ITS CONTEXTS Amber'13 Festival Istanbul, Turkey 7-8 November 2014   Moderator: Tincuta Heinzel   The establishment of industrious ways of production was possible due to a series of technical inventions and innovations. The industrialization also leaded to an important change of the way things were consumed, allowing not only a highest production rhythm, but also a highest consumption rate. Along with the massification of the...

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NANOTEXTILES OR THE AESTHETICS OF WEARWELLNESS

NANOTEXTILES OR THE AESTHETICS OF WEARWELLNESS

NANOTEXTILES OR THE AESTHETICS OF WEARWELLNESS MutaMorphosis Conference - Tribute to Uncertainty International Conference - December 6-8, 2012, Prague, Czech Republic.   Abstract: There is no doubt that the development of nano-sciences and nano-technologies would have not been possible without the invention of a number of visualization instruments (like STM – Scanning Tunneling Microscope and AFM – Atomic Force Microscope). This fact had established a precedent which makes us to speak of...

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ARTISTS IN INDUSTRY. THE ROLE OF DESIGN IN THE DIGITAL ERA

ARTISTS IN INDUSTRY. THE ROLE OF DESIGN IN THE DIGITAL ERA

ARTISTS IN INDUSTRY. THE ROLE OF DESIGN IN THE DIGITAL ERA (2012) International Conference, Bucharest, November 1 -, 2012 Location: Sala Frescelor, University of Architecture and Urbanism Bucharest Website: http://conference.artistsinindustry.com     Synopsis: Thinking critically about design is a way to understand the relationship between the contemporary person, his peers and the world - the way things are produced and consumed. This is due to the fact that the term ‘design’ today...

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ART, SPACE AND MEMORY IN THE DIGITAL ERA” PUBLICATION (2010)

ART, SPACE AND MEMORY IN THE DIGITAL ERA” PUBLICATION (2010)

ART, SPACE AND MEMORY IN THE DIGITAL ERA” PUBLICATION (2010) Paideia Publishing House, Bucharest, 2010.   Editor: Tincuta Heinzel. Authors: Bogdan Ghiu, Woody Vasulka, Tincuta Heinzel, Paulo Ferreira-Lopes, Sophie Fetro, Augustin Ioan, Gemma San Cornelio, Pau Alsina, Anne-Marie Duguet, Heike Helfert, Peter Tomaz Dobrila, Uros Indihar. Translators: Barbara Bartos, Patricia Comănescu, Simona Klodnischi, Ancuța Ionescu. Bilingual edition: Romanian – English.   Synopsis: Based on diverse...

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REVERSED INTERACTION

REVERSED INTERACTION

REVERSED INTERACTION (2010) LEDs, textile, Lilypad, moving sensor, video funk camera (or web camera), TV monitor (or computer monitor).   We live in a world where digital media allows us to multiply the interactive contact. With the help of coded information we can now make most of the objects around us interactive. Our expectations are high. The surfaces transform themselves more and more in interfaces. The screens are today touching-screens, our presence is most of the time a triggering...

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ART, SPACE AND MEMORY IN THE DIGITAL ERA

ART, SPACE AND MEMORY IN THE DIGITAL ERA

ART, SPACE AND MEMORY IN THE DIGITAL ERA - CONFERENCE (2007) Dates : 4 – 6 October 2007 Locations : Studio Astra / *.ARTLABS Centrala termica 3, Sibiu.     Synopsis: The Art, Space and Technology in the Digital Era Conference proposes an international debate around the relation between art and technology in the contemporary digital age. It specially underlines the impact of new media on our life. The digital technologies have created a new model of perception of the diverse aspects...

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THIERRY KUNTZEL : ETE – AUTOMNE

THIERRY KUNTZEL : ETE – AUTOMNE

THIERRY KUNTZEL : ETE – AUTOMNE (2007) Invited exhibition in the frame of Areas of Conflu(x)ence project in Sibiu. Curator: Anne-Marie Duguet Assistant: Corinne Castel   Dates: October 5 – November 4, 2007 Location: Casa Ille et Vilaine, Sibiu.   AUTOMNE (Le Mont Analogue) This work belongs to the series of Quatre saisons moins une (Four seasons minus one). The configuration of the space is the same as for the installation Eté (Summer). On one side, a little screen embedded in the...

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IDENTITE

IDENTITE

Identité, 1999. Dimensions: 100 x 30 x 50 cm and 30 x 30 cm. Various techniques: papers, manila, silk, video. Identité is a series of prints and drawings all related to identity marks. The central motive, the Islik, is a big circular hat used by the Romanian aristocracy in the XVII and XVIII century. Its dimensions differed according to the social status. Printed on paper or on industrial sacks, drown on silk, Identité plays with the figurative and the iconic status of the image. The same...

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CARPET – GARDEN

CARPET – GARDEN

CARPET-GARDEN (1998) Dimensions: 12 m². Various techniques: Iron, wool, manila, electronic devices, servo motors.     Carpet-Garden is my diploma work in textile arts, a work I have done in 1998 at the Art and Design University Cluj (Romania). Since the object of tapestry is generally a carpet and since the classical Middle East carpets generally deals with variations of idealized gardens representing the Paradise, the idea of working on the subject for my diploma was...

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PSEUDO-GARMENT

PSEUDO - GARMENT (1997). Dimensions:150 x 80 x 40 cm; 120 x 80 x 70 cm; 160 x 70 x 50 cm. Various techniques: iron, glass, copper. Pseudo-Garment is a series of three pieces inspired from the medieval very elaborated costumes that investigate the garment functions and roles: the garment as protection, the garment as social sign. The common textile techniques like crochet, weaving and sewing were coupled with the use of metal materials. The expression of materials has here a very important...

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